The theater saw its golden age during the early 1800s. In 1823, Nicolò Paganini performed in a virtuoso violin concert, followed in 1837 by Franz Liszt’s masterly piano performance of his composition La serenata e l’orgia.
Over its two centuries of history, Teatro Sociale hosted a majority of the greatest opera artists of their respective eras: from Carlo Gomes’ Salvator Rosa in 1883, to Vincenzo Ferroni’s Ettore Fieramosca in 1896, to Pietro Mascagni’s Iris, Amica, and Isabeau in 1905, 1906 and 1932, respectively.
In 1943, the Teatro Sociale established a collaboration with Milan’s famous theater Teatro alla Scala, which become unusable after the bombings that destroyed the capital of Lombardy during World War II.
Thanks to this partnership, many popular artists of that time performed in Como: from Basiola, Del Monaco, Zeani, and Kabaivanska, to the greatest music conductors of all time: Toscanini and Muti.
Up until the ‘60s, the theater’s outdoor stage (the Arena) was intensely used for all kinds of plays and concerts, but was then closed and transformed into a parking lot due to economic difficulties. The theater was later restored and repaired in 1984 thanks to the efforts of the Società dei Palchettisti.
In 2013, AsLiCo (Associazione Lirico Concertistica) opened the Arena again with the ambitious 200.Com project, whose purpose was to celebrate its bicentennial through the representation of the composition Carmina Burana.